Ezra Pound
Full Name and Common Aliases
Full Name: Ezra Weston Loomis Pound
Common Aliases: Ezra Pound
Birth and Death Dates
Born: October 30, 1885
Died: November 1, 1972
Nationality and Profession(s)
Nationality: American
Profession(s): Poet, Critic, Editor
Early Life and Background
Ezra Pound was born in Hailey, Idaho, in 1885, but he spent much of his early life in Pennsylvania. His father, Homer Loomis Pound, worked for the U.S. Mint, and his mother, Isabel Weston, was a descendant of early American settlers. Pound's upbringing was marked by a strong emphasis on education and culture, which was evident in his early academic pursuits. He attended the University of Pennsylvania at the age of 15, where he studied languages and literature, and later transferred to Hamilton College in New York. His academic background laid the foundation for his future endeavors in poetry and literary criticism.
Major Accomplishments
Ezra Pound is often credited as one of the most influential figures in the development of modernist poetry. His major accomplishments include the promotion of Imagism, a movement that advocated for clarity, precision, and economy of language in poetry. Pound's editorial work was instrumental in shaping the careers of several key literary figures, including T.S. Eliot, James Joyce, and Robert Frost. His contributions to the literary world were not limited to his own writing; he was a tireless advocate for the works of others, often using his influence to help them gain recognition.
Notable Works or Actions
Pound's literary output is vast, but some of his most notable works include "The Cantos," an epic poem that he worked on for over fifty years. This ambitious project reflects his deep engagement with history, politics, and culture. Another significant work is "Hugh Selwyn Mauberley," a poem that critiques the materialism and cultural decline of post-World War I society. Pound's role as an editor and critic was equally significant; he played a crucial role in the publication of T.S. Eliot's "The Waste Land," providing extensive editorial input that helped shape the final version of the poem.
Impact and Legacy
Ezra Pound's impact on literature is profound and multifaceted. As a poet, he pushed the boundaries of form and content, challenging conventional notions of what poetry could be. His advocacy for Imagism and Vorticism helped to redefine poetic expression in the early 20th century. Pound's influence extended beyond his own writing; his editorial work and support for other writers helped to shape the modernist movement as a whole. Despite his controversial political views and activities during World War II, which included making broadcasts for Italian radio that were sympathetic to fascist ideology, Pound's contributions to literature remain significant. After the war, he was arrested for treason but was declared mentally unfit to stand trial and spent over a decade in a psychiatric hospital.
Why They Are Widely Quoted or Remembered
Ezra Pound is widely quoted and remembered for his incisive insights into the nature of poetry and art. His aphorisms, such as "Make it new," encapsulate his revolutionary approach to literature and his desire to break away from the past. Pound's work continues to be studied and debated, not only for its artistic merit but also for its complex engagement with cultural and political issues. His ability to distill complex ideas into memorable phrases has ensured that his words resonate with readers and writers alike. Despite the controversies surrounding his life, Pound's legacy as a pioneering figure in modernist literature endures, and his influence can be seen in the works of countless poets and writers who followed in his footsteps.
Quotes by Ezra Pound
Ezra Pound's insights on:
Died some, pro patria, / non ‘dulce’ non ‘et decor’… / walked eye-deep in hell / believing in old men's lies, the unbelieving / came home, home to a lie
The milk-white girls / Unbend from the holly-trees, / And their snow-white leopard / Watches to follow our trace.
Great Zeus, save the woman, or she will sit before your feet in a veil, and tell out the long list of her troubles.
As a bathtub lined with white porcelain, / When the hot water gives out or goes tepid, / So is the slow cooling of our chivalrous passion, / O my much praised but-not-altogether-satisfactory lady.
You were gone up as a rocket, bending your passages from right to left and from left to right. In the flat projection of a spiral.
Under the cabin roof was one lantern. The reeds are heavy; bent; and the bamboos speak as if weeping.
Come, let us pity those who are better off than we are. Come, my friend, and remember that the rich have butlers and no friends, And we have friends and no butlers.